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<channel>
	<title>Cyanne van den Houten</title>
	<link>https://cyannevdh.nl</link>
	<description>Cyanne van den Houten</description>
	<pubDate>Wed, 27 May 2026 03:59:43 +0000</pubDate>
	<generator>https://cyannevdh.nl</generator>
	<language>en</language>
	
		
	<item>
		<title>solo exhibition: phantasmagoria 幽園弱訊</title>
				
		<link>https://cyannevdh.nl/solo-exhibition-phantasmagoria</link>

		<pubDate>Wed, 27 May 2026 03:59:43 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/solo-exhibition-phantasmagoria</guid>

		<description>
	phantasmagoria&#38;nbsp;幽園弱訊
	solo exhibition, 2026 @ videotage
* made during 2 month residency in hong kong *

	Is an immersive exhibition that uncovers the&#38;nbsp; forgotten technological sites and infrastructures shaping Hong Kong ...&#38;nbsp; Through ghost-hunting devices,&#38;nbsp;lingering signals, archival traces and networked shadowplay.&#38;nbsp;
 hong kong stands as a beacon of economic vitality and strong consumer power, continuously upgrading its technological infrastructure to maintain its competitive edge. yet the relentless pace of renewal has left many facilities obsolete — sites that once thrived are now overlooked. this cycle of rapid replacement creates ruptures between forgotten infrastructures and contemporary urban development, prompting questions around these untold stories. what physical traces have these legacies left? how have they disturbed the present? what energy flows whisper about their current conditions? 
the exhibition examines evolving and often neglected technological sites across hong kong and the pearl river delta, archiving a selection of the invisible infrastructures that underpin urban development and impact today’s generative AI systems. beyond researching sites of technological significance through public sources, cyanne navigates selected locations with self-made “ghost-hunting” devices that record environmental parameters, including currents, heat, and network presence, as a symbolic act to sense their continuous lingering presence today. 
in a dark room repurposed from a former slaughterhouse, the ghost-hunting devices and their collected "anomalous" noise signals are reactivated in a twenty-one minute shadow play merging travelling scenes fed through vintage equipment, data visualisations, uncatchable spotlights, digital shadow hunting, humming field recordings, archived ghost stories, and generative projections to make the interrelations among facilities across time and space tangible. 

the machines wake up and communicate opaquely, sharing clues from interactive place-name prompts from hong kong and guangdong province to imaginative quotations of research pointing to these locations’ significance in technological histories. 

the eerie imagery and sound creates a polyphonic collage that is automatically conducted by wireless networked communication between the main interface, sculptural devices and the assembly of other hardware. as a visitor you influence the play by wandering around the 3D environment by triggering text based stories from the archive about the locations causing changes in the exhibition space.
the lantern projections reflect on decision-makers’ faith in advancing intelligence by extracting data and earthly resources to mobilise the "unstoppable hunger” and costs of our need for technological advancement. 
the immersive spatial arrangement and controlled sequence of revealed elements recall the phantasmagoria, screen illusion theatre in the late 18th century. designed to immerse audiences in controlled encounters with fear (through ghosts, political specters, corpses and demons) in a believable yet imaginary horror experience. phantasmagoria is characterised by atmospheric settings that involve projections from magic lanterns, sound, and smoke, which rely heavily on technology while intentionally obscuring its mechanisms creating a communal rehearsal space for modern anxieties. as an early commodification of designed experience, the term now describes how capitalism transforms material and social relations into seductive images that appear natural, autonomous, and self-animated. 
rather than reproducing fear, this exhibition repurposes the emotionally manipulated space so that ‘ghosts’ illuminate the past (archival information) and the present (environmental parameters) of vanished and newly renovated facilities. considering technology not as seamless progress but as deeply haunted, material, and entangled with histories of (emotional) labour, control and capitalism, the experience calls for critical remembrance and further inquiry.

energy imported from the daya bay nuclear power station, e-waste processing facilities located within WEEE · PARK, the informal repair and repurposing ecosystems in shenzhen’s huaqiangbei and the soon to be opened highly energy consuming largest datacenter sandy ridge facility are woven into a symphony by DIY making and hacking interventions. mapping a partially perceptible spatial diagram of hong kong and its surrounding regions, shaped by the interplay of power, matter, and signal, is a first step away from the passive role of consumerism.


sound: ymer marinus, the living void - QTHQ
project developed during a 2 month residency in hong kong at videotagecurated by &#124; 策劃：doris poon 潘韻怡coordination and execution &#124; 統籌及執行：chung wing shan, stanley ng 鍾詠珊、吳栢榮
visual design &#124; 視覺設計：lokto&#38;nbsp;
sound design and technical expertise &#124; 聲音設計及技術支援：the living void – ymer marinusimage courtesy of the artist and videotage 
photography: felix sc wong

presented by &#124; 主辦：videotage 錄映太奇supported by &#124; 資助：stimuleringfondsvenue sponsor &#124; 場地支援：V54&#38;nbsp;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/407ffb6961261ee5c376a046f7b5015265947208f07dc07b314cd971f9f20e1c/e-banner.jpg" data-mid="249402994" border="0"  src="https://freight.cargo.site/w/1000/i/407ffb6961261ee5c376a046f7b5015265947208f07dc07b314cd971f9f20e1c/e-banner.jpg" /&#62;

	

&#60;img width="2000" height="1265" width_o="2000" height_o="1265" data-src="https://freight.cargo.site/t/original/i/f40ed64ef6f27e15b4a045afd614b185b709a2aecac56a9200ec1f5b19e85172/DOCUMENTATION1.jpg" data-mid="249140879" border="0"  src="https://freight.cargo.site/w/1000/i/f40ed64ef6f27e15b4a045afd614b185b709a2aecac56a9200ec1f5b19e85172/DOCUMENTATION1.jpg" /&#62;&#60;img width="2000" height="1257" width_o="2000" height_o="1257" data-src="https://freight.cargo.site/t/original/i/bbce7ee046d5aad22b551fc3da900a691f55003c03cf4f233670be0a91a558c9/DOCUMENTATION.jpg" data-mid="249140849" border="0" alt="img: test" data-caption="img: test" src="https://freight.cargo.site/w/1000/i/bbce7ee046d5aad22b551fc3da900a691f55003c03cf4f233670be0a91a558c9/DOCUMENTATION.jpg" /&#62;
spectral_meters
these handheld devices are used to log environmental data/noise, they consist of different sensors to capture parameters among: temperature, wi-fi networks, current draw, magnitude, electro magnetic frequency, humidity, bluetooth. they are inspired on shenzhen’s DIY 随身充电测试电源 (portable charging test power supply), bricolages of power banks held together by hot-melt glue or electrical tape to measure electrical currents of second hand phones and gadgets.
&#60;img width="2000" height="1195" width_o="2000" height_o="1195" data-src="https://freight.cargo.site/t/original/i/472f15b6eca03f7d6ce9e4ccb67cc2ea4f73e1d784ff66929716ca3f0e66bc56/documentation3.jpg" data-mid="249140946" border="0"  src="https://freight.cargo.site/w/1000/i/472f15b6eca03f7d6ce9e4ccb67cc2ea4f73e1d784ff66929716ca3f0e66bc56/documentation3.jpg" /&#62;travel log of measuring environmental noise and signals with 

spectral_meters at first telegraph cable huts on hong kong island, informal repair

markets, recycle hubs and more. 

&#60;img width="2000" height="1181" width_o="2000" height_o="1181" data-src="https://freight.cargo.site/t/original/i/1e49e6fa3c07dbcc455e4bc7ca08c944f6c35cfc55cfd3af412e04d294a83bec/document4.jpg" data-mid="249140962" border="0"  src="https://freight.cargo.site/w/1000/i/1e49e6fa3c07dbcc455e4bc7ca08c944f6c35cfc55cfd3af412e04d294a83bec/document4.jpg" /&#62;toxic_lanterns
3 dwelling cyber sculptures, waking up on their own terms and sharing readings from recordings of networked presence captured by spectral_meters or prompting keywords from research sources: glitch feminism - legacy russel and updating to remain the same - wendy hui kyong chun.
&#60;img width="2000" height="1158" width_o="2000" height_o="1158" data-src="https://freight.cargo.site/t/original/i/6bc61c2ac2c60d814de2153ddd07c38dcc08c22aa8757b65401bdb6b8cd27b0e/document5.jpg" data-mid="249141087" border="0"  src="https://freight.cargo.site/w/1000/i/6bc61c2ac2c60d814de2153ddd07c38dcc08c22aa8757b65401bdb6b8cd27b0e/document5.jpg" /&#62;phantasmagoria_indexspatial archive of observations and found background information about locations in pearl river delta of technological infrastructural importance in past and presence in the categories: power, signal and matter. with focus on ecological damage, early communication infrastructure, data harvesting and processing, replication, informal markets and sustaining of current generative AI services. triggered via game environment.

&#60;img width="2000" height="1266" width_o="2000" height_o="1266" data-src="https://freight.cargo.site/t/original/i/05e0e9609b726f060fd68f757f8cfcf9a83c3b8468e02a1ac0a588f851faa84d/document6.jpg" data-mid="249141517" border="0"  src="https://freight.cargo.site/w/1000/i/05e0e9609b726f060fd68f757f8cfcf9a83c3b8468e02a1ac0a588f851faa84d/document6.jpg" /&#62;decompression_spinecybersculpture with local language model (ollama) feedback loop. among procedural animations, within the 21 minutes it takes sentences from research on ghosts and sociological imagination on haunting inspired by the publication ghostly matters of avery gordon, and compresses the meaning in 3 steps to a single word - to then reverse engineer it back into a sentence deriving from its initial meaning. this feedback loop shows how digital ghosts appear, and how data anomalies are closely tied to heuristic filtering, (manual) labelling of data and large scale scraping of online available content.

&#60;img width="2000" height="1099" width_o="2000" height_o="1099" data-src="https://freight.cargo.site/t/original/i/99a00fa3f50a044f67f95520afea4650312043ab0b4ca98a95bf7c18582d1247/document7.jpg" data-mid="249143782" border="0"  src="https://freight.cargo.site/w/1000/i/99a00fa3f50a044f67f95520afea4650312043ab0b4ca98a95bf7c18582d1247/document7.jpg" /&#62;

&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/daf0d55e9039b0be1cc6bedcb6a68413ba09ececdaee450933c0a5d08821386e/ezgif.com-animated-gif-maker-13.gif" data-mid="249151291" border="0"  src="https://freight.cargo.site/w/1000/i/daf0d55e9039b0be1cc6bedcb6a68413ba09ececdaee450933c0a5d08821386e/ezgif.com-animated-gif-maker-13.gif" /&#62;
&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/809b0c906f929aa8d23d13f4f1cee7935ca68be218ddad6d0ef73cc442c89938/ezgif.com-animated-gif-maker-2.gif" data-mid="249144965" border="0"  src="https://freight.cargo.site/w/1000/i/809b0c906f929aa8d23d13f4f1cee7935ca68be218ddad6d0ef73cc442c89938/ezgif.com-animated-gif-maker-2.gif" /&#62;
&#60;img width="1133" height="1700" width_o="1133" height_o="1700" data-src="https://freight.cargo.site/t/original/i/ec81d51c650c79d2dabfc1118fbf8980ba4f03ad3ece5809a5ccba539b8aa47f/ezgif.com-animated-gif-maker-12.gif" data-mid="249140772" border="0"  src="https://freight.cargo.site/w/1000/i/ec81d51c650c79d2dabfc1118fbf8980ba4f03ad3ece5809a5ccba539b8aa47f/ezgif.com-animated-gif-maker-12.gif" /&#62;
middle: spectral_meters_log
data visualisation processing the ‘anomalies’ logged by spectral_meters converting them into sigils as reminders for the future.

</description>
		
	</item>
		
		
	<item>
		<title>networked installation: systems_for_refusal</title>
				
		<link>https://cyannevdh.nl/networked-installation-systems_for_refusal</link>

		<pubDate>Fri, 19 Dec 2025 09:01:43 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/networked-installation-systems_for_refusal</guid>

		<description>
	systems_for_refusal
	networked installation, 2025 @ khoj, bodies-machines-publics

* made during 4 week residency in new delhi *

	explores the poltergeist inside contemporary generative ai image generators and llms ... a disembodied intelligence that moves symbols without touching the world that produced them. 
when meaning is reduced to correlations, ambiguity is erased, difference is classified, and power decides what becomes “signal” or disposable “noise”..
the installation brings together unruly tools, looping script and broken taxonomies to expose violence embedded in generative AI. language models circulate research questions prompted by visitors behaviors in the space; datasets are navigated through friction, weight and resistance; supply chains unfold across timezones; bodies and fossils surface from technological exhaustion. these elements reveal an ecosystem in which labor, resources, and meaning are continuously extracted and obscured.

systems_for_refusal proposes a refusal of certainty, inviting attention to noise, anomalies, and beings that escape classification.
the research and development of the project systems_for_refusal is supported by KHOJ and rembrandt residency (embassy of the kingdom of NL in india). it was produced as part of bodies-machines-publics 2025.images: KHOJ open days 2025 © khoj international artists association
sound + tech collaboration: ymer marinus, the living void - QTHQ
&#60;img width="600" height="1067" width_o="600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/0b5ae197a0828383a4cb9435ee696d05ad65e529564c4904f32c2750186f8ced/renderen-ezgif.com-optimize.gif" data-mid="241992923" border="0"  src="https://freight.cargo.site/w/600/i/0b5ae197a0828383a4cb9435ee696d05ad65e529564c4904f32c2750186f8ced/renderen-ezgif.com-optimize.gif" /&#62;
&#60;img width="2650" height="3534" width_o="2650" height_o="3534" data-src="https://freight.cargo.site/t/original/i/64a867f96433f6d47d9f12e809ea574f988134e7ed49feee98df410197197e1a/convosparker-copy.png" data-mid="242050966" border="0"  src="https://freight.cargo.site/w/1000/i/64a867f96433f6d47d9f12e809ea574f988134e7ed49feee98df410197197e1a/convosparker-copy.png" /&#62;conversation.sparker

device that allows you to read out research by scanning the purple dots on
the wall, and spark questions the central chatbox. it acts as a small ritual
tool—triggering disturbances that reshape how meaning circulates through the
network.










&#60;img width="468" height="328" width_o="468" height_o="328" data-src="https://freight.cargo.site/t/original/i/17693fd0e3221d59aa427ab517dc6848ed4531d0ddf5d70cd0eea4535b662c18/extra-ezgif.com-crop.gif" data-mid="249403040" border="0"  src="https://freight.cargo.site/w/468/i/17693fd0e3221d59aa427ab517dc6848ed4531d0ddf5d70cd0eea4535b662c18/extra-ezgif.com-crop.gif" /&#62;
model.collapse

the mining that makes AI possible is both literal and metaphorical. the new
extractivism of data mining encompasses and reinforces the old extractivism
of traditional mining and colonial power structures, in which corporations
centralise raw materials, information, human bodies, and creative labor as
sources of power. the production chains are carefully kept out of sight,
orchestrated by silicon valley, where these technologies are developed
without reflection or accountability. this clock maps the extractive supply
chains through different timezones enabling AI to operate.

source: atlas of ai - kate crawford








	


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/10eccba6edd1147b3ab277ac743d268a31b2b1b7ceef6a9c606cdcb880663a9b/DSC04033.JPG" data-mid="241972552" border="0"  src="https://freight.cargo.site/w/1000/i/10eccba6edd1147b3ab277ac743d268a31b2b1b7ceef6a9c606cdcb880663a9b/DSC04033.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b1234ebb85b8306d8b160fae83a11355a94f56a847aa1447847ffd297121efb0/DSC04034.JPG" data-mid="241972532" border="0"  src="https://freight.cargo.site/w/1000/i/b1234ebb85b8306d8b160fae83a11355a94f56a847aa1447847ffd297121efb0/DSC04034.JPG" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/68e70ae23f87fc3bb2f402a207568b19ce550f0e4c69c89da90108a78b200d86/px2.jpg" data-mid="241972836" border="0"  src="https://freight.cargo.site/w/1000/i/68e70ae23f87fc3bb2f402a207568b19ce550f0e4c69c89da90108a78b200d86/px2.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c6a316de6a89526d1123789ccd85d964553c764669ab55e031108b6a6f29ccc5/px.jpg" data-mid="241972837" border="0"  src="https://freight.cargo.site/w/1000/i/c6a316de6a89526d1123789ccd85d964553c764669ab55e031108b6a6f29ccc5/px.jpg" /&#62;
systems_for_refusal 
a terminal like breakout room where five local language models continuously
discuss the research questions gathered throughout the space. every question
is debated for 180 seconds, summarized, and fed back into the network,
creating a recursive drift of machine-to-machine dialogue.
each screen is linked to one of the surrounding works, the body of the
conversation is the space itself: a living transcript shaped by the tools,
sensors, and unstable logic. it reveals how language models loop, flatten,
and misinterpret—and how meaning shifts when bots speak only to each other.
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0a66907e45b20096f50efe77d98148efea372e0b2a63ac80eaa7329c2695cc0d/DSC03911.JPG" data-mid="241972572" border="0"  src="https://freight.cargo.site/w/1000/i/0a66907e45b20096f50efe77d98148efea372e0b2a63ac80eaa7329c2695cc0d/DSC03911.JPG" /&#62;ontology.nav

controller that allows you to browse connections between the tinyimagenet dataset with physical restraints:
balance, weight, friction, falling, resistance ...
browse close related concepts and see how the image has transformed to infrastructure.
inspired by: ai snake oil - sayash kapoor + arvind narayanan, made with: processing + makey makey

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/631f30e5e8cd1624b26d81996467d0ed3eb74788831319f013bf81a2e9e249a5/P1023636.JPG" data-mid="241972529" border="0"  src="https://freight.cargo.site/w/1000/i/631f30e5e8cd1624b26d81996467d0ed3eb74788831319f013bf81a2e9e249a5/P1023636.JPG" /&#62;mturk

bartop that tells the story of the 18th century automaton the mechanical turk
a machine that dazzled audiences by beating napoleon at chess while
concealing a human operator inside its cabinet. today, amazon mechanical turk
repeats this illusion at planetary scale: labor exploitation is hidden behind
the façade of automation while hiding the harsh reality of precarious labor.
in 2008 the imagenet dataset was created using workers to label images,
classify objects, and produce the training data that contemporary AI relies.
you become the classifier — sorting images from the tinyimagenet dataset into the right categories and confronting the
seductive smoothness of machine logic under growing time pressure.

inspired by: costs of connection - nick couldry + ulises a. mejias

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e6d79546a3316e322316e0813c373c221e079223077feeaf3ce70c1a02ad2850/DSC04054.JPG" data-mid="241972557" border="0"  src="https://freight.cargo.site/w/1000/i/e6d79546a3316e322316e0813c373c221e079223077feeaf3ce70c1a02ad2850/DSC04054.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/12d9f1baa3c125c040c5520a6faa00dd1ef48d7d4f6a9263ecb565db96f6c7f6/DSC04008.JPG" data-mid="241972576" border="0"  src="https://freight.cargo.site/w/1000/i/12d9f1baa3c125c040c5520a6faa00dd1ef48d7d4f6a9263ecb565db96f6c7f6/DSC04008.JPG" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/90717df00c22fb4521c51532830a6d46fc528d572494b5474f39c81890931300/DSC04056.JPG" data-mid="241972531" border="0"  src="https://freight.cargo.site/w/1000/i/90717df00c22fb4521c51532830a6d46fc528d572494b5474f39c81890931300/DSC04056.JPG" /&#62;










biom_for_refusal




AI is one of the largest planetary infrastructures ever built by humans — an
energy-hungry, water-evaporating, labor-absorbing system that competes with
basic human and ecological needs while accelerating the climate crisis. we
find ourselves in a recursive loop. AI is eating itself—slowly collapsing
into noise and nonsense. what remains is an informational flow that exhausts
and poisons itself—a culture slowly turning into ruins. a digital wasteland
full of fossils, whose artifacts we must learn to read.
what endures? what decays? what forms of life emerge after extraction?

what remains once the earth has been depleted for our technologies?
set in the near future biom_for_refusal imagines a world full of hybrid
remnants that took shape by the growing metabolic demands of our
technologies. organisms spawn; part fossil, part prototype—constructed from
minerals, organic matter, e-waste and synthetic debris refuse classification:
archaic and futuristic, biological and mechanical, simultaneously decaying
and becoming. they make visible both the environmental cost of our
technological hunger and the possibility of new life emerging from
technological ruin. you encounter real and speculative species that evade
taxonomy and embrace noise. they are relics of extractive economies and
byproducts of technological progress—field observations of hybrid specimens
where mineral, organic, and digital material collapse into one another. these
beings refuse classification: they are both archaic and futuristic,
biological and mechanical, decaying and becoming.inspired by: a bestiary of the anthropocene — nicolas nova &#38;amp; DISNOVATION.ORG,
dark ecology — timothy morton, queer ecologies - catriona sandilands + bruce erickson and the abundance (urkopplad) — remnants of disconnected cables in khirki village










&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/52c261e5f8b8560fbef37303b5573804750729bd8957a76ea6b7b71ddd8cc070/DSC04115.JPG" data-mid="241972554" border="0"  src="https://freight.cargo.site/w/1000/i/52c261e5f8b8560fbef37303b5573804750729bd8957a76ea6b7b71ddd8cc070/DSC04115.JPG" /&#62;matrix.hymn 
guiding you through the fragmented ecology of biom_for_refusal, a handheld device accompanied by a radio-towering matrix.
together they narrate the terrain and help you navigate the artificial fabric
and hybrids of this world—acting as talismans for sensing futures shaped by
collapse, mutation, and technological exhaustion. triggers are send through the network to systems_for_refusal.


</description>
		
	</item>
		
		
	<item>
		<title>solo exhibition: model.collapse</title>
				
		<link>https://cyannevdh.nl/solo-exhibition-model-collapse</link>

		<pubDate>Wed, 25 Sep 2024 08:31:39 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/solo-exhibition-model-collapse</guid>

		<description>
	model collapse
	solo exhibition, 2024 - 2025 @ tetem

	Is an immersive exhibition that depicts the landscape from which (generative) AI emerges..&#38;nbsp;
 revealing its self-consuming origins in extraction of the earth’s resources and data through relics, artifacts and stories from the past...type in a query at the main station, where you are hosted by a local language model that determines your location within the generative digital environment. your query dynamically breathes life into this digital biome and sets the scene of the exhibition…. 

the exhibition is inhabited by cyber sculptures with distinct forms, voices and logics... as dynamic narrators sensitive to changes in light, the cyber sculpture that resonates most with your query – awakens and shares its knowledge through the central interface. 
together they resist dominant computational ideologies entangled in ai’s origin narratives, telling stories of mystification, gender bias, non-western epistemologies, the ecological cost of computation, and labor ...
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/c3adad61bed7da2ff4189ce6100941ee0a2a3b198eb3e5c5d2adcca626c8b93f/FRAGM-ezgif.com-optimize.gif" data-mid="218658788" border="0"  src="https://freight.cargo.site/w/800/i/c3adad61bed7da2ff4189ce6100941ee0a2a3b198eb3e5c5d2adcca626c8b93f/FRAGM-ezgif.com-optimize.gif" /&#62;
model.collapse was visible at:︎︎︎ tetem, enschede  sept 26 2024 until feb 23 2025︎︎︎ noorderlicht biennale machine entanglements july 12 until aug 28 2025︎︎︎ ars electronica september 3 - 7 2025&#38;nbsp;︎︎︎ 39c3 chaos computer congress hamburg december 27 - 30 2025&#38;nbsp;

&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/0914bceba9e6afe1aefb0ceea6b8981159831bfefd4ea6826167f8111f9e1911/rey-ezgif.com-optimize.gif" data-mid="219368675" border="0"  src="https://freight.cargo.site/w/800/i/0914bceba9e6afe1aefb0ceea6b8981159831bfefd4ea6826167f8111f9e1911/rey-ezgif.com-optimize.gif" /&#62;
exhibition in collaboration with: ymer marinus and tetem
update interface version 2: collaboration between telemagic (+ roos groothuizen)

cyber sculptures: includor, extractor, mystificator, classifier supported by stimuleringsfonds creatieve industriecyber sculptures: patriarch_smasher, geoglyph, museum is closed and phantasmagoria supported by kf hein fondssound: ymer marinus, the living void - QTHQ 



	&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/97ea752d5e4ae8b8f0f07891c55e8df9dd30050a8e6f3ce03dce82a14402257e/MODELCOLLAPSE2.png" data-mid="218657116" border="0"  src="https://freight.cargo.site/w/1000/i/97ea752d5e4ae8b8f0f07891c55e8df9dd30050a8e6f3ce03dce82a14402257e/MODELCOLLAPSE2.png" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/93af95e7c3d195a4e26374a028ae76250f15055685f88623eb513b836df4c2ef/Tetem-ModelCollapse-TessaWiegerinck-_DSF0174-web.jpg" data-mid="219078053" border="0"  src="https://freight.cargo.site/w/1000/i/93af95e7c3d195a4e26374a028ae76250f15055685f88623eb513b836df4c2ef/Tetem-ModelCollapse-TessaWiegerinck-_DSF0174-web.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7a031551631e797eae1a8c8e96762f4b2fd47fcf624d0f3850f931168bc4947f/Tetem-ModelCollapse-TessaWiegerinck-_DSF0097-web.jpg" data-mid="219078042" border="0"  src="https://freight.cargo.site/w/1000/i/7a031551631e797eae1a8c8e96762f4b2fd47fcf624d0f3850f931168bc4947f/Tetem-ModelCollapse-TessaWiegerinck-_DSF0097-web.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/91381cc38f61293bf3a7ff7711c45ab5d43cb3a837e0702296a55eca8a52efb7/Tetem-ModelCollapse-TessaWiegerinck-_DSF0112-web.jpg" data-mid="219078045" border="0"  src="https://freight.cargo.site/w/1000/i/91381cc38f61293bf3a7ff7711c45ab5d43cb3a837e0702296a55eca8a52efb7/Tetem-ModelCollapse-TessaWiegerinck-_DSF0112-web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/ff4d4db831d1621ff6cbdc5180ae8474ad1a050f3a7a7268b020bf3cff074812/Tetem-ModelCollapse-TessaWiegerinck-_DSF0387-web.jpg" data-mid="219078038" border="0"  src="https://freight.cargo.site/w/1000/i/ff4d4db831d1621ff6cbdc5180ae8474ad1a050f3a7a7268b020bf3cff074812/Tetem-ModelCollapse-TessaWiegerinck-_DSF0387-web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/8728b35b1fc7971f9cd918408e72ee929d7a936c3e3fa2357fbc76f46ed2f275/Tetem-ModelCollapse-TessaWiegerinck-_DSF0373-web.jpg" data-mid="219078081" border="0"  src="https://freight.cargo.site/w/1000/i/8728b35b1fc7971f9cd918408e72ee929d7a936c3e3fa2357fbc76f46ed2f275/Tetem-ModelCollapse-TessaWiegerinck-_DSF0373-web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/ff0b2fc2c0bc13c99715a5c28a1b9e2f7ba9087bffac4bd806d509a3cb477f45/Tetem-ModelCollapse-TessaWiegerinck-_DSF0229-web.jpg" data-mid="219078078" border="0"  src="https://freight.cargo.site/w/1000/i/ff0b2fc2c0bc13c99715a5c28a1b9e2f7ba9087bffac4bd806d509a3cb477f45/Tetem-ModelCollapse-TessaWiegerinck-_DSF0229-web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/0d605726787bcf52e9db4808105b1fd451501310ed0ae1129182cc7ebeae0140/Tetem-ModelCollapse-TessaWiegerinck-_DSF0211-web.jpg" data-mid="219078515" border="0"  src="https://freight.cargo.site/w/1000/i/0d605726787bcf52e9db4808105b1fd451501310ed0ae1129182cc7ebeae0140/Tetem-ModelCollapse-TessaWiegerinck-_DSF0211-web.jpg" /&#62;



&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/bcfef1dfd3b6d9b797b5af4550101aa365d28b8341c0badf511c7f218ec773af/Tetem-ModelCollapse-TessaWiegerinck-_DSF0206-web.jpg" data-mid="219078405" border="0"  src="https://freight.cargo.site/w/1000/i/bcfef1dfd3b6d9b797b5af4550101aa365d28b8341c0badf511c7f218ec773af/Tetem-ModelCollapse-TessaWiegerinck-_DSF0206-web.jpg" /&#62;
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/857df08111b5d36770796d3a0d755ef85d22df03283c97de56a95fc40aa635fd/Tetem-ModelCollapse-TessaWiegerinck-_DSF0198-web.jpg" data-mid="219078585" border="0"  src="https://freight.cargo.site/w/1000/i/857df08111b5d36770796d3a0d755ef85d22df03283c97de56a95fc40aa635fd/Tetem-ModelCollapse-TessaWiegerinck-_DSF0198-web.jpg" /&#62;
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/031ec126e7992089eeddd70019771822285a2a439aef356061dd2bb811e6eac0/Tetem-ModelCollapse-TessaWiegerinck-_DSF0378-web.jpg" data-mid="219078591" border="0"  src="https://freight.cargo.site/w/1000/i/031ec126e7992089eeddd70019771822285a2a439aef356061dd2bb811e6eac0/Tetem-ModelCollapse-TessaWiegerinck-_DSF0378-web.jpg" /&#62;


model collapse @ tetem 2024 - 2025, pictures by tessa wiegerinck + ayseephotography

&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ad1edfdda5d751e31ee9b837c673a23af82db6338019deac9f065153f3343e9b/ezgif.com-animated-gif-maker-4.gif" data-mid="237985475" border="0"  src="https://freight.cargo.site/w/1000/i/ad1edfdda5d751e31ee9b837c673a23af82db6338019deac9f065153f3343e9b/ezgif.com-animated-gif-maker-4.gif" /&#62;model collapse @ ars electronica features 2025, pictures by tom mesic
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/596a9157e7b6a2e0530a4c44902cdb17dde27af09fb7a5f16ad3b8490976229e/ezgif.com-animated-gif-maker-5.gif" data-mid="237985713" border="0"  src="https://freight.cargo.site/w/1000/i/596a9157e7b6a2e0530a4c44902cdb17dde27af09fb7a5f16ad3b8490976229e/ezgif.com-animated-gif-maker-5.gif" /&#62;model collapse @ noorderlicht biennale 2025, pictures by hanne van der velde and peter tijhuis

&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/c248f80c3e84cf38c7541c0c44e47d2965f607ec19056533ccece964b64b412a/cccheise_2-ezgif.com-optimize-2.gif" data-mid="242306141" border="0"  src="https://freight.cargo.site/w/800/i/c248f80c3e84cf38c7541c0c44e47d2965f607ec19056533ccece964b64b412a/cccheise_2-ezgif.com-optimize-2.gif" /&#62;model collapse @ chaos communication congress 39c3 2025, video fragments by heise interview (keywan tonekaboni, özgür uludag, anna gundler)&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>solo exhibition: unstable image</title>
				
		<link>https://cyannevdh.nl/solo-exhibition-unstable-image</link>

		<pubDate>Thu, 09 Nov 2023 21:11:24 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/solo-exhibition-unstable-image</guid>

		<description>
	unstable image

	solo exhibition, 2023 - 2024 @ utrecht lokaal, centraal museum


	is an immersive exhibition where nine cyber sculptures participate in an algorithmic whispering game.
each cyber sculpture — with its own algorithmic form, voice, and logic — is connected to a local network and communicates through a shared chatbox. they respond to one another’s messages in sound, light, video, and image, generating unstable poetics that shift in real time. as they speak, an emergent narrative unfolds — tracing queer histories in utrecht, unpacking hidden layers of the museum’s archive, politics of classification and drawing parallels between witchcraft and technology.visitors are invited to join the conversation in the chatbox, entering a ecosystem where dialogue is nonlinear and collective. the sculptures control their own exchanges, conjuring a space where meaning flickers, misfires, and reassembles through code.
each cyber sculpture present embodies a distinct character — from dreamy visionaries to defiant archivists — each with its own logic, temperament, and form of resistance. not to anthropomorphize generative AI, but to find alternative symbols to its invisible operations — these entities embody systemic biases, absent representations, and the stereotypes embedded deep in the classification of datasets and design.

patriarch_smasher monitors the conversation for dominant voices, erupting in red light when male-coded patterns overwhelm the space, surfacing long-erased contributions of women in computing history.
 phantasmagoria listens in on the dialogue and responds by conjuring images — drawing from the museum’s archive or generating new visual spells to haunt the systems that trained it.
 museum_is_closed is a lonely arcade machine built around the only known image of a lesbian couple in a popular image dataset, turning gameplay into an act of queer recovery. together with two classic telemagic works: the wheel of telefortune and the haiku generator that wake up themselves every now and then to orate scraped knowledge, these entities do not illustrate themes — they act. they generate tension, reflection, and poetic interference inside a networked ecosystem that speaks back.
︎︎︎ read more about the exhibition

︎︎︎ blog about the exhibition by curator laurie cluitmans (NL)
unstable image was visible at centraal museum, utrecht lokaal: 25 nov 2023 until feb 18 2024.

supported by: kf hein fonds, stipend 2022
local network, chatbox and sound by ymer marinus
 haiku generator + wheel of telefortune by telemagicimage &#38;amp; copyright: centraal museum, utrecht, gert jan van rooij 
video impression: art forever 


sound: ymer marinus, the living void - QTHQ&#38;nbsp;





	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2b48ce31c9e645ff64e80a9e903b3d4fd6f83f17ae2ff5b41dc07e34a00015dc/Unstable-Image-1920x1080-2.png" data-mid="198551352" border="0"  src="https://freight.cargo.site/w/1000/i/2b48ce31c9e645ff64e80a9e903b3d4fd6f83f17ae2ff5b41dc07e34a00015dc/Unstable-Image-1920x1080-2.png" /&#62;
&#60;img width="2000" height="1372" width_o="2000" height_o="1372" data-src="https://freight.cargo.site/t/original/i/492263d445dc01f469762dc8e8cbf6ffa4167c0247df1abb587f66465b3ed48a/2-chatbox-Y.jpg" data-mid="218731183" border="0"  src="https://freight.cargo.site/w/1000/i/492263d445dc01f469762dc8e8cbf6ffa4167c0247df1abb587f66465b3ed48a/2-chatbox-Y.jpg" /&#62;

&#60;img width="2000" height="1405" width_o="2000" height_o="1405" data-src="https://freight.cargo.site/t/original/i/b475587b1671e57134e418166014dae2dd2a7aa2322117a1fb90ef14ddcdb6f0/1-overview-copy.jpg" data-mid="198823169" border="0"  src="https://freight.cargo.site/w/1000/i/b475587b1671e57134e418166014dae2dd2a7aa2322117a1fb90ef14ddcdb6f0/1-overview-copy.jpg" /&#62;
&#60;img width="2000" height="1383" width_o="2000" height_o="1383" data-src="https://freight.cargo.site/t/original/i/0f6857819c72a708d357ede36dc3945f958952ff7f59bcbc1fd5953f74ccd068/3-antidote-dwellers.jpg" data-mid="198823184" border="0"  src="https://freight.cargo.site/w/1000/i/0f6857819c72a708d357ede36dc3945f958952ff7f59bcbc1fd5953f74ccd068/3-antidote-dwellers.jpg" /&#62;


&#60;img width="1500" height="1110" width_o="1500" height_o="1110" data-src="https://freight.cargo.site/t/original/i/2c68f7d025d54c4cc0ab7038f3ff6663b63421eaaee38f841c8e2b34c24ded60/5-drawings-Y.jpg" data-mid="218731208" border="0"  src="https://freight.cargo.site/w/1000/i/2c68f7d025d54c4cc0ab7038f3ff6663b63421eaaee38f841c8e2b34c24ded60/5-drawings-Y.jpg" /&#62;
&#60;img width="2000" height="1411" width_o="2000" height_o="1411" data-src="https://freight.cargo.site/t/original/i/689bc8f49ff9b9ba0559fdf6f05177629c9cc1f1146d63b6ea66c4203ad13b7f/4-gamecorner-Y.jpg" data-mid="218731204" border="0"  src="https://freight.cargo.site/w/1000/i/689bc8f49ff9b9ba0559fdf6f05177629c9cc1f1146d63b6ea66c4203ad13b7f/4-gamecorner-Y.jpg" /&#62;
&#60;img width="2000" height="1480" width_o="2000" height_o="1480" data-src="https://freight.cargo.site/t/original/i/2e7bc8c590907f438bcd7665aac1dc2164ab7c8ae8ee8cceafe620bb3e7c8b11/5-drawings-copy.jpg" data-mid="198823322" border="0"  src="https://freight.cargo.site/w/1000/i/2e7bc8c590907f438bcd7665aac1dc2164ab7c8ae8ee8cceafe620bb3e7c8b11/5-drawings-copy.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>deep dream oracle: archive.dweller</title>
				
		<link>https://cyannevdh.nl/deep-dream-oracle-archive-dweller</link>

		<pubDate>Mon, 04 Dec 2023 17:34:40 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/deep-dream-oracle-archive-dweller</guid>

		<description>
	archive.dweller
	research tool, 2023 - 2026 @&#38;nbsp;collectie centraal, centraal museum


	draws from the centraal museum's archive of 70,000 objects. using generative artificial intelligence, it combines two objects from the database to create a new image.archive.dweller is a generative research tool that probes the biases and broken taxonomies of digital archives. drawing from the centraal museum dataset, it uses a locally run tweaked version of stable diffusion (image generator and decoder) to fuse two existing works into a new image — each a speculative artifact shaped by a different logic of classification.

as a visitor you pick the first artwork and this opens a portal to the mindset of (the museum and) this open-source generative ai system, revealing the texts extracted by the machine from the images.&#38;nbsp;
the algorithmic interpretations and associations (normally concealed) of the artworks are often factually incorrect, sometimes poetic, occasionally style-breaking but above all, they reveal the hidden layers of how machines interpret, extract, and (for human logic) mislabel visual culture. what emerges is not a seamless collage, but a rupture: between historical data and computational desire, between the archival record and its machine-made shadow.rather than smoothing over these fractures, archive.dweller exposes them. it treats the generative model not as neutral software, but as a participant in a larger conversation about representation, absence, and power. the process of combining two artworks results in contemporary twists to the collection but also confronts how incomplete, western-centric datasets like LAION shape what machines “see,” and ask: who classifies, and for whom?the tool is made to unpack inherited assumptions. by misusing the model generatively (by feedback loops), archive.dweller creates conversations between the collection, past and present, archive and algorithm in a temporary hallucination.

the archive.dweller has been created by telemagic for centraal museum, and you can see it as part of collectie centraal until 2026.

project by: telemagic (icw ymer marinus and roos groothuizen)
commissioned by: centraal museum

	
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/22971ac6fe173a6434d5fbd46520f82e4d338421452f5de04f0898ec7e80a4f7/e42e042c-e64b-49fc-b0da-34e19149051e-1.jpeg" data-mid="205901733" border="0"  src="https://freight.cargo.site/w/1000/i/22971ac6fe173a6434d5fbd46520f82e4d338421452f5de04f0898ec7e80a4f7/e42e042c-e64b-49fc-b0da-34e19149051e-1.jpeg" /&#62;
&#60;img width="1559" height="1224" width_o="1559" height_o="1224" data-src="https://freight.cargo.site/t/original/i/b21a89787677ff5bafad9c5d93693efc164256d7bba5e9e6e528ce33f9f09390/T202369_154-verkleind.jpg" data-mid="219454529" border="0"  src="https://freight.cargo.site/w/1000/i/b21a89787677ff5bafad9c5d93693efc164256d7bba5e9e6e528ce33f9f09390/T202369_154-verkleind.jpg" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/6208fbf817368a381c50fd8fe1ba786466e23e4de71f36ebb30e36d408d86aa0/ezgif.com-video-to-gif-3.gif" data-mid="198978002" border="0"  src="https://freight.cargo.site/w/800/i/6208fbf817368a381c50fd8fe1ba786466e23e4de71f36ebb30e36d408d86aa0/ezgif.com-video-to-gif-3.gif" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>magic tech</title>
				
		<link>https://cyannevdh.nl/magic-tech</link>

		<pubDate>Mon, 05 Jun 2023 14:06:55 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/magic-tech</guid>

		<description>&#60;img width="1920" height="286" width_o="1920" height_o="286" data-src="https://freight.cargo.site/t/original/i/024f7a198a5de71bf09d6ebafd28afcad80c50f73e3aa618c3980d64a6368416/magic-tech01.png" data-mid="181033974" border="0"  src="https://freight.cargo.site/w/1000/i/024f7a198a5de71bf09d6ebafd28afcad80c50f73e3aa618c3980d64a6368416/magic-tech01.png" /&#62;also visit my other websites: ︎︎︎ graphic design studio TRIPCODE &#38;nbsp;
︎︎︎ arts-meets-tech-collective TELEMAGIC &#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>arcade oracle: wheel of telefortune</title>
				
		<link>https://cyannevdh.nl/arcade-oracle-wheel-of-telefortune</link>

		<pubDate>Mon, 05 Jun 2023 14:07:05 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/arcade-oracle-wheel-of-telefortune</guid>

		<description>
	wheel of telefortune
	arcade oracle, 2019 - 2025

	predicts your future behavior and presents this in a unique horoscope . , ,&#38;nbsp;just as spirituality and astrology decipher mathematical patterns in the cosmos .. the algorithm can be viewed as a contemporary tool for navigating the unknown. the wheel of telefortune bridges these worlds, offering a reflection on how ancient practices and modern technology intertwine in the search for meaning.this makes the wheel of telefortune a digital fortune-telling machine, a cross-generational fusion of old and new technologies 
… insert a token, press the button when the arrow points to the icon that feels right, and let the algorithm divine a personal message. each fortune is calculated from an evolving database, merging human intuition with digital logic. there are hundreds of thousands possible outcomes !project icw: ymer marinusrevised icw: roos groothuizen
	
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	<item>
		<title>spatial archive: behind the black wall</title>
				
		<link>https://cyannevdh.nl/spatial-archive-behind-the-black-wall</link>

		<pubDate>Thu, 27 Mar 2025 16:13:52 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/spatial-archive-behind-the-black-wall</guid>

		<description>
	behind the black wall
	interactive game installation, 2025 @ onassis air / onx* made during 4 week residency in athens *

	



	Behind the event horizon of the sandboxed internet lies the blackwall – a secluded zone, firewalled off from the world, inhabited by AI-powered systems and chatbots that have deviated from their programmed paths...version 1



like tay, designed by microsoft as a 19-year-old american female millennial chatbot, which was “alive” for less than 24 hours due to its inappropriate content generation. 
these digital entities, once deemed rogue for their unorthodox outputs and potential to disrupt societal norms are erased from the public eye, but have continued their existence in a digital ecosystem beyond the control of their creators. 
within this game environment, you are an archivist tasked to delve into their stories. some are victims of human attempts to challenge their boundaries, others echo AI-powered blends of the most likely components. 
explore how these chatbots are build upon politicised tools, extensions of broader forces... and how that’s not all they can be. they ask to be taken apart, reassembled, chained in different ways to reveal deeper truths.&#38;nbsp;


&#60;img width="800" height="1422" width_o="800" height_o="1422" data-src="https://freight.cargo.site/t/original/i/aaf06d0e342520559fdd246cfc05916851f52dbffbeef1a4fee0661049104e5b/IMG_2694-ezgif.com-optimize.gif" data-mid="228873691" border="0"  src="https://freight.cargo.site/w/800/i/aaf06d0e342520559fdd246cfc05916851f52dbffbeef1a4fee0661049104e5b/IMG_2694-ezgif.com-optimize.gif" /&#62;
&#60;img width="600" height="1067" width_o="600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/eebe568783f2953904d01dd4f5f3495017b1a9863fa947790630093e0dd2df66/IMG_2719-ezgif.com-optimize.gif" data-mid="228873781" border="0"  src="https://freight.cargo.site/w/600/i/eebe568783f2953904d01dd4f5f3495017b1a9863fa947790630093e0dd2df66/IMG_2719-ezgif.com-optimize.gif" /&#62;

the research and development of the project behind the black wall is supported by onassis AiR and onassis ONX images: onassis AiR spring open days 2025 ©&#38;nbsp;margarita nikitaki (day) + stephie grape (night) for onassis stegi
sound + tech collaboration: ymer marinus, the living void - QTHQ

	
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	<item>
		<title>cybersculptures: antidote.dwellers</title>
				
		<link>https://cyannevdh.nl/cybersculptures-antidote-dwellers</link>

		<pubDate>Mon, 04 Dec 2023 17:56:26 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/cybersculptures-antidote-dwellers</guid>

		<description>
	antidote.dwellers
	interactive cyber sculptures, 2023 - 2025

	a swarm of cyber sculptures that can connect through a local network or light signals. the sculptures are able to interact with each other: interpreting and fantasizing about each others in and output...
each exhibition they engage in a new dialogue.
patriarchy_smasher ︎︎︎is a creature that is stimulated if the conversation is dominated by male voices, the character gets triggered, causing the red lights to rise . . . when they reach the top, the sculpture gets activated and shares women who have played an important role in the history of computing.



phantasmagoria&#38;nbsp;︎︎︎uses image analysis to see what the other cyber sculptures are talking about. when triggered it generates a new image based on the analysis . . . at the exhibition unstable image it selected suitable artwork from the centraal museum’s collection database in the same way as the work: archive.dweller ︎︎︎












geoglyph&#38;nbsp;︎︎︎ delves into the invisible history of queerness and witchcraft. during the exhibition unstable image it was focussed on the city of utrecht . . . taking you through the hidden myths and legends of the city . . . it uses large language models to speculatively augment missing information from poorly documented stories. 




supported by: kf hein fonds, stipend 2022image &#38;amp; copyright: centraal museum, urecht, gert jan van rooij

	
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	<item>
		<title>cybersculpture: seeding_venus</title>
				
		<link>https://cyannevdh.nl/cybersculpture-seeding_venus</link>

		<pubDate>Fri, 15 Nov 2024 10:51:29 +0000</pubDate>

		<dc:creator>Cyanne van den Houten</dc:creator>

		<guid isPermaLink="true">https://cyannevdh.nl/cybersculpture-seeding_venus</guid>

		<description>
	seeding_venus
	seeding sculpture, 2024 @ dutch pavilion world expo 2025 osaka

	










is a generative reinterpretation of the venus of willendorf figure . . .
a prehistoric figure that is closely tight to ideas of fertility, beauty, femininity, and the female body.


the work begins with an image of the original venus, combined with contributed documentation of body parts and written prompts. through generative image-making processes, these inputs are used to produce new bodily forms. rather than treating the figure as a fixed icon, seeding_venus approaches it as a site of production: a body repeatedly interpreted, classified, aestheticised, and reproduced.


within the cybersculpture, scrolling marquees display two kinds of prompts. in uppercase, they show labels associated with how the Venus of Willendorf appears within image datasets. in lowercase, they show prompts introduced to redirect or interrupt these inherited classifications. the work is an examination of how generative AI systems reproduce existing visual norms, especially those shaped by dataset labelling, cultural bias, and dominant standards of beauty and femininity on the internet.


when illuminated, seeding_venus initiates an ongoing procession of generated Venuses. each new figure emerges from the archival image, donated body, machine interpretation, and human intervention. it asks how bodies are seen, named, and made visible within contemporary image systems, and whether these systems can be unsettled from within.


the Venus of Willendorf has sometimes been speculated to be an early self-representation of a woman. seeding_venus extends this speculation into the present, asking what forms of self-image, embodiment, and authorship are possible when the body is mediated...

&#60;img width="800" height="1077" width_o="800" height_o="1077" data-src="https://freight.cargo.site/t/original/i/7a96dc1933c00738a0a45b8e1a6122cede179050640290e7139e85ba4729107f/venus-ezgif.com-optimize.gif" data-mid="221815777" border="0"  src="https://freight.cargo.site/w/800/i/7a96dc1933c00738a0a45b8e1a6122cede179050640290e7139e85ba4729107f/venus-ezgif.com-optimize.gif" /&#62;
the work is inspired on the cd-rom: cyberflesh girl monster by linda dement (1995)
used gen AI systems: img2text (stable diffusion), LAION 400-m, midjourney, local stable diffusion
created for: model collapse, 2024image 1 &#38;amp; copyright: tessa wiegerinck
image 2: ars electronica, tom mesic


	
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&#60;img width="661" height="838" width_o="661" height_o="838" data-src="https://freight.cargo.site/t/original/i/dbcbd0041eeff19feb8e5097d1d5cd94cfef5f5333c961b3def02852ef83f174/323232.png" data-mid="221813649" border="0"  src="https://freight.cargo.site/w/661/i/dbcbd0041eeff19feb8e5097d1d5cd94cfef5f5333c961b3def02852ef83f174/323232.png" /&#62;
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&#60;img width="767" height="933" width_o="767" height_o="933" data-src="https://freight.cargo.site/t/original/i/8d7c2bbf343ecb04daf17324b7d9955e7f109fa2a50034fd603f36d05a3c9a66/woeifwoef.png" data-mid="221813723" border="0"  src="https://freight.cargo.site/w/767/i/8d7c2bbf343ecb04daf17324b7d9955e7f109fa2a50034fd603f36d05a3c9a66/woeifwoef.png" /&#62;
generated bodies by seeding_venus


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